Once again[1,2] Rüdiger Oppermann brought a couple of outstanding musicians to the Tollhouse yesterday. You never knew what you can do with string instruments alone until you heard it :) . In case you get the chance, don’t miss it. You won’t regret.
Author Archives: ce
Altan at Tollhaus
Abbatiale Sts Pierre et Paul à Wissembourg – Antonio Salieri – Requiem en Do mineur
Liebhaber klassischer Musik konnten heute um drei Uhr in der katholischen Stiftskirche St. Peter und Paul in Wissembourg das Requiem in C-Moll von Antonio Salieri (1750-1825) genießen.
Die Organisation dürfte ein kleiner Kraftakt gewesen sein. Beteiligt waren der Projektchor der Regierungspräsidiums Karlsruhe und der Landkreise Karlsruhe und Rhein-Neckar, die Vokalsolisten Lydia Leitner, Rosemara Ribeiro, Jason Kim sowie Claus Temps, und das Bruchsaler Barockensemble, unter Leitung der Konzertmeisterin Selma Heider-David und Johann J. Beichel. Denise Becker bot den Hörern außerdem zu Beginn und Ende der Veranstaltung eine Kostprobe des authentischen Klanges der frisch restaurierten Dubois-Orgel. Wie schon in den zwanzig vorausgegangenen Konzerten sorgte Thomas Becker für die perfekte Moderation, und Dominique Moog kümmerte sich einmal mehr um die Besucher. Der Erlös kommt dem Neubau einer Orgel für die evangelische Kirchengemeinde St. Johann in Wissembourg zugute.
Somit endete heute die Konzertreihe in Wissembourg, die den Sommer 2012 zu einem ganz besonderen Sommer machte. Ich möchte mich auf diesem Wege ganz herzlich bei den nahezu zahllosen Beteiligten hinter und vor den Kulissen für die vielen schönen musikalischen Stunden bedanken.
Vespers 2012 are past
»Les vesperales de l’orgue Dubois en Wissembourg« are now past. Today Christoph Keggenhoff used the occassion of the last concert of this series to demonstrate the different shades of the instrument’s timbres. I enjoyed every single minute, as I did the 19 concerts before. Thanks to all who helped to make this happen.
Next sunday at 3PM a final concert with about 150 musicians playing the »Requiem in C-Moll« by Antonio Salieri (1750-1825) will take place. Free entry is granted. Donations for the new organ of the protestant church St. Jean are welcome.
Herbie Hancock live at Tollhaus
After Stanley Clarke Herbie Hancock performed live at Tollhaus, Karlsruhe, together with James Genus (Bass), Trevor Lawrence (Drums) and Lionel Loueke (Guitar), a linup similar to the one 20 months ago.
This evening was four outstanding musicians playing outstanding music. In case you think you learned about rythm, jazz and functional harmony, I can recommend those guys to set you right :) . They are using sounds and playing stuff you won’t find anywhere else.
I’m once again impressed by the progressiveness of Hancock. After all those years, he’s still the one who constantly reinvents music.
Thanks, guys :) .
Stanley Clarke live at Tollhaus
Stanley Clarke (Bass), Stewart Copeland (Drums), Ruslan Sirota (Keyboards) and Brady Cohan (Guitar) performed live at this year’s Zeltival. Frankly, I enjoy Stan more when performing with RTF. It was a great show anyway. Stan performed as well as 40 years ago. This guy is just amazing, both technically as well as a leader. In case I became a musician (yes, this was one of the options ages ago), I’d like to work with people like him.
Thanks, guys, for the great show. My ears are still impressed :) .
Les vesperales de l’orgue Dubois en Wissembourg
After its inauguration, the Dubois organ is used for a series of vespers during this summer, happening each sunday afternoon from 5 PM to 5:50 PM. Though the inauguration just happened one week ago, Daniel Maurer yesterday was in desperate need of tuning the lingual pipes of the backside positiv 15 minutes before the concert. He played the following pieces:
- J.S. Bach
- Choral »Komm, Gott Schöpfer, heiliger Geist« (BWV 667)
- F. Couperin
- Récit de Cornet
- Cromorne sur la taille
- J.S. Bach
- Fantaisie en sol majeur (Très vitement, Gravement, Lentement) (BWV 572)
- Choral »Meine Seele erhebet den Herrn« (BWV 243)
- F. Couperin
- Offertoire sur les grands jeux
- Récit de Tierce en Taille
- G.F. Haendel, Suite N°1 for a musical clock
- A voluntary or a flight of angels (HWV 600)
- Menuet (HWV 603)
- Gigue (HWV 589)
Today Pascal Reber played the following:
- Claude Gervaise, Danceries de la Renaissance
- Pavane
- Gaillarde
- Branle de Champagne
- Branle de Bourgogne
- J.S. Bach
- Choral »Herr Jesu Christ dich zu uns wend« (BWV 655)
- Choral »Komm heiliger Geist, Herre Gott« (BWV 652)
- Louis Nicolas Clérambault
- Plein Jeu
- Duo
- Trio
- Basse de cromorne
- Flûtes
- Récit de nazard
- Caprice sur les Grands Jeux
- Pacal Reber
- Improvisation I
- Improvisation II
I especially enjoyed the first block of ancient renaissance pieces. During the second improvisation, he played rather unconventional stuff, showing that the instrument is not only capable of reproducing classical music.
Two excellent concerts which I really enjoyed.
Inauguration of the Dubois organ of Wissembourg
The inauguration of »L’Orgue Dubois de l’abbatiale Sts. Pierre et Paul en Wissembourg« is over. There was an excellent presentation of the timbres of the instrument followed by a concert with pieces of Nicolas de Grigny (Veni Creator), Johann Sebastian Bach (Deux chorals de Leipzig), Georg Böhm (Partita sur le choral »Wer nur den lieben Gott lässt walten«) et Pierre Dumage (Suite du 1er Ton). Screens have been used so that the attendees could directly see what is happening at the organ’s console.
Once again I was completely overwhelmed by the sound of the instrument. And once again I noticed that the sound of famous instruments gains its living and breathing from little imperfections. Individual pipes have an individual chiff, some pipes rattle a bit when being played (especially lingual pipes), others are not tuned perfectly.
The presentation will be available as a recording in CD respectively DVD formats. The visitors got a nice printed handout (available both in french and german language) which provides valuable information of the history and restoration of the instrument.
From 2012-05-27 through 2012-09-30 each sunday free concerts will be provided between 5:00PM and 5:45PM. Obviously I’ll revive a hobby of mine and choose Wissembourg as the favorite destination of my sunday biking trips :) .
L’Orgue Dubois de l’abbatiale Sts. Pierre et Paul en Wissembourg
Today I had good luck, as some organ player played the Dubois organ at the Peter and Paul abbey in Wissembourg.
The Pipe Organ of St. Konrad, Aschaffenburg-Strietwald, Germany
On saturday I had the occasion (but not the time) to play the instrument depicted above. Unfortunately I forgot to take a picture of its console with traditional stops on either side, as I was in a hurry.
It’s quite an interesting instrument, built in 2007 by Freiburger Orgelbau. The disposition of the stops qualifies the instrument for authentic playing of both baroque and romantic organ music:
I. Main (C–g3)
1. Bordon 16’
2. Prinzipal 8’
3. Gedeckt 8’
4. Flute harmonique 8’
5. Viola da Gamba 8’
6. Octave 4’
7. Gemshorn 4’
8. Superoctave 2′
9. Mixtur 4-5fach 1 1/’3’
10. Trompete 8’
Tremulant
II. Swell (C–g3)
11. Geigenprizipal 8′
12. Rohrgedeckt 8’
13. Salicional 8’
14. Vox coelestis 8’
15. Octav 4’
16. Traversflöte 4’
17. Nasard 2 2/’3’
18. Octavin 2’
19. Terz 1 3/’5’
20. Piccolo 1’
21. Trompette harmonique 8’
22. Hautbois 8’
Tremulant
Pedal (C–f1)
23. Prinzipalbass 16′
24. Subbass 16’
25. Octavbass 8’
26. Gedacktbass 8’
27. Octav 4’
28. Bombarde 16’
29. Trompete 8’
Obviously it is dominated by 8’ stops. Its timbre is rather full and warm instead of brilliant. I hope there will be a second chance for playing it. Here are the stops I’m most interested in:
- Prinzipal 8’ – full and warm
- Flute harmonique 8’ – one of my all time favorite stops. The length of those pipes is twice the length necessary, while a small drilling in the middle of the length ensures the pipe’s pitch is correct.
- Trompete 8’ – not a bawler at all
- Vox coelestis 8’ – if you like programming pads with two detuned oscillators on synthesizers, this stop is for you. You will ask “How can I create such a sound on a synth?!?”
- Terz 1 3/’5’ – a third. A unique stop. I had absolutely no luck programming it on a synthesizer.
- Hautbois 8’ – another lingual stop. Another sound you won’t be able to program on a synth.
- Bombarde 16’ – nomen est omen. The right pedal stop for bombastic pieces. Grand Jeux comes to my mind :)
Klangwelten celebrating its 25th birthday
Klangwelten is celebrating its 25th birthday, and we just attended the concert at the Tollhaus in Karlsruhe, where I already heard them two years ago. The event was just marvellous. Park Stickney’s instrument sounded more like a guitar than a harp, the singing of Katajaq (Inuuk) was more than impressive, Enkh Jargal’s singing and playing was just outstanding, Augus Wahyu Rhythm Explosion added liveliness (not to mention the great acoustic bass), and Terrence Ngassa really knows how to treat the trumpet.
There are several further tour dates. In case you have a chance to attend, do not hesitate – you won’t regret. And hurry up – Tollhaus was well crowded, and some of the concerts are already sold out!
Lineup:
- Rüdiger Oppermann (Europe) – Harps, Morin Khoor
- Katajaq Duo (Canada) – Inuit singing
- Enkh Jargal Dandarvaanchig (Mongolia): Dinging, Violin
- Park Stickney (New York): Harp
- Terrence Ngassa (Cameroon ) – Jazz Trumpet
- Agus/Wahyu Rhythm Explosion (Java) – Gendang drums
- Jatinder Thakur (INdia) – Tablas
Once again, thanks guys and girls for an enjoyable evening.
—-
Edit: A couple of samples are available online:
www.klangwelten.com/festival/2011/2011_ton.html
200th Birthday of Franz Liszt
Yesterday we celebrated the 200th birthday of Franz Liszt. Countless concerts took place all around the globe, and I noticed contributions in radio broadcastings. His main instrument was the grand piano, but he also composed about a dozen pieces for the pipe organ. Organ players may remember »Praeludium und Fuge über B-A-C-H«, a piece quite difficult to play, which exposes the capabilities of the instrument in an excellent manner.
In case Jazz did not exist, I guess he was one of my preferred musicians :) .
»Return to Forever« live at Audi Forum, Neckarsulm
»Return to Forever« probably is the most famous fusion band this planet has ever seen. I remember the days of my youth when I programmed my Waldorf Microwave synthesizer to get some Corea-like sounds and playing along their recordings.
Lyambiko@Tollhaus once again
Like last year, Lyambiko once again was on stage at the Tollhaus. The musicians were the same as last year, as was the acoustical sound. Frankly, I’d enjoy some electric bass, guitar or keyboard sound every now and then, so it’s not exactly the music I’d listen to at home. But the live experience was just marvellous.
Thanks guys and girl :) .
Herbie Hancock live @ Festspielhaus Baden-Baden
After Lee Ritenour the next master did me a favour and came close enough to make me spend some money. His works do not exactly fit my taste, so I mainly know his most popular works. He has always been a very progressive musician (remember »Future Shock«?) and he played with some of my favorite artists like Joe Zawinul and Chick Corea. Baden-Baden is just about 40km south, and as the synth addict and fusion enthusiast I am, attending the concert was a must.
The lineup consisted of Herbie Hancock (grand piano, Korg Oasys), Kristina Train (vocals, violin), James Genus (bass), Trevor Lawrence (drums), Lionel Loueke (guitar) and Greg Phillinganes (Korg Oasys, Korg Triton, vocals). His current project is called »The Imagine Project«, but of course he could not resist to play some of the hits (like Cantaloupe Island) that made him popular. The way he puts different influences and styles together is pretty interesting. Plus it is a great joy to see how he treats the piano and his synthesizers. He also used a Roland AX-Synth twice, really excessively during the last tune.
A great concert indeed. There are some further tour dates nearby during the next couple of days, so don’t miss your chance.
Lee Ritenour @ Tollhaus
This was a concert I visited on spec. I never heard a lot of music of Lee. I only knew he’s a well known guitarist. But a price tag of 22€ left no room for any excuse. Visiting the concert really was a good idea.
The lineup consisted of Lee Ritenour (guitar), Patrice Rushen (Bechstein grand piano, Yamaha Motif ES6, Yamaha S90), Melvin Davis (seven (sic!) strring Bass and vocals) and Will Kennedy (drums). Patrice mainly used sampled standard sounds (like Rhodes, Organ, and Clavinet) and there was no synth solo. A prejudice of mine seems to materialize. Men use the upper dynamic range of an instrument, while women are more familiar with the lower range.
The whole combo did an excellent job. I was surprised that I actually enjoyed the music, though it was a bit too straightforward for my taste. Great to see real pros at work, where everyone knows his job. I’m tempted to buy a semi acoustic guitar, as I really liked Lee’s sound.
A very nice concert, well worth the bucks. Herbie Hancock, next week in Heidelberg, won’t be that »cheap« :) .
Gudereit LC-R – SCNR
Since it was obvious that I need a more reliable bike, I’m looking for the right device. A friend once sent me a PDF of a very attractive gadget. I also considered other options, but the more I was looking for alternatives, the more I wanted exactly this one.
Biréli Lagrène live in Herxheim
I’ve just been at a open air concert of Biréli Lagrène in Herxheim. It was a perfect warm summer evening at a perfect location. They locked the main street and put the stage directly on the street:
The first set was merely like a traditional jam session. The second set, however, was exactly my taste. Biréli playing the guitar is pure fun to listen, and the rest of the band also did a very good job. My only complaint is that the keyboards have been a bit too low, so it was difficult to follow the playing of Michael Lecoq. He played a Nord Stage, a Nord Lead 2 and a Korg Triton Extreme. I’ve played the Nord Stage every now and then at the local trumpet store. It sounds marvellous, but I’m not comfortable yet with its user interface.
The band:
- Guitar: Bireli Lagrene
- Bass: Hadrien Feraud
- Drums: Nicolas Viccaro
- Keyboards: Michael Lecoq
- Saxophone: Franck Wolf
- DJ: Frederic Angarny
Thanks to HMK for the hint BTW.
Ausser Dienst
I just finished reading the latest book of Helmut Schmidt, “Ausser Dienst”. It’s an autobiography, and due to his age and (political) experience, he has a lot of things to tell about domestic and foreign policy, about economies and the challenges we will face in the near future.
Programming the Korg Z1 Synthesizer
While I have excessively done synth programming in my youth, I rarely find time for it nowadays. Nevertheless it happens, especially when it is raining all day.
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